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ABOUT

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Folklore and futurism, graceful elegance and raw passion, virtuosic precision and spontaneous exploration – all merge together in the music of two-time Grammy nominated vocalist, songwriter and producer Sofia Rei. Redefining authenticity from an intensely personal perspective, she’s carried diverse Latin American traditions from her native Buenos Aires to the multi-cultural mecca of New York City, where she’s fused those sounds with jazz, experimental music, pop, and electronic music influences. With a voice that’s been hailed for its captivating beauty and versatility by such prestigious publications as the New York Times and DownBeat Magazine, Rei’s talents fit comfortably into any number of genres. A self-described “frog from another pond,” Rei’s natural inclination is to leap, an instinct that has taken her on a circuitous route from early classical training and Argentinean folk music through the punk rock nightlife of Buenos Aires, into some of the most prestigious venues in the U.S. and on to a wealth of festival stages around the world.

Rei has released 6 critically acclaimed albums as a leader and has been called “an ambassador of Latin America’s experimental voice in the contemporary international circuit”. Her stylistic versatility is illustrated in the array of artists she has collaborated with, such as John Zorn, Bobby McFerrin, Maria Schneider, Marc Ribot, Myra Melford. the Klezmatics and Susana Baca. Rei has been an advocate of South American culture through her work. She is the co-founder of El Colectivo Sur and the Ori-Gen collective, both arts organizations that promote public awareness of South American arts embracing contemporary and experimental works, bringing together diverse communities. Rei is currently a Professor at NYU’s Clive Davis Institute and teaches New Perspectives in Latin Music, a course she created that explores rhythmic training and the broad stylistic diversity of Latin American music.

Press Quotes

“Ms. Rei, a vocalist hailing from Argentina, sings in a windblown, mountains-high voice, but she often sounds like she might be withholding something, too. It’s as if maybe the full delivery might be too overpowering—an engrossing suggestion.”

— Giovanni Rusinello, THE NEW YORK TIMES

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