Building on the success of her Independent Music Award-winning sophomore release Sube Azul, vocalist Sofia Rei returns with the spellbinding De Tierra Y Oro (“of earth and gold”). Rei describes the album as a series of “philosophical wanderings” —songs that draw on a wide range of South American folkloric influences and bracingly modern sounds, with Rei’s powerful voice in the forefront. Rei produced the album with her longtime bassist and collaborator Jorge Roeder and co-producer Fabrice Dupont. The textures run the gamut of contemporary to traditional: from layered and effects-treated vocals, electric guitars, loops and drum machines to Bolivian charangos, Paraguayan harps, Colombian marimbas, Argentine bombos, Peruvian cajones and more. Rei’s vibrant multi-tracked vocals and use of reverbs, delays and harmonizers make De Tierra Y Oro a bold departure
from her previous work. Singing in Spanish, Rei tells stories that reflect her diverse travels and experiences: a cock fight in Cartagena, a nightmare in Buenos Aires, a love letter in New York, a haunted man in the Andes. In De Tierra Y Oro we encounter Latin American myths and icons, loneliness and laughter, religious doubt, political protest, true love.

Sube Azul
is a fully formed synthesis, reflecting Sofia’s immersion in modern and progressive jazz while also responding to the pull of ancestry and the appeal of organic, pan-musical connections. A native of Buenos Aires, Sofia brings to bear the folkloric traditions of Argentina and its regional neighbors (Peru, Colombia, Uruguay), tying together diverse influences in a program full of complexity, melody and romance. The songs speak of heartbreak, individuality, special characters in Sofia’s life, the challenges of life abroad. There are tributes to Argentina’s copleras (female folkloric singers), and comments on what Sofia terms “the end of the utopia of the upcoming Latin American revolution.” And yet even as Sube Azul spans the continents, it transcends its origins and gathers force as a self-contained narrative, more than the sum of its parts.

Ojalá -Sofia’s debut album- presents a rainbow of poignant melodies, involved orchestrations, folkloric textures and all-around superb musicianship, centered around Sofía's rich, full-bodied, dolorous vocal instrument. Singing in Spanish, Portuguese, or English, Sofía pursues a cross-pollination of traditions reflected in her original compositions and arrangements. Ojalá has received incredible critical acclaim and has been chosen a TOP 10 Album of 2006 by the “Jazz Journalists Association.”

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